{"id":2,"date":"2012-05-02T20:00:25","date_gmt":"2012-05-02T20:00:25","guid":{"rendered":"https:\/\/evannesbitt.com\/?page_id=2"},"modified":"2020-09-26T20:34:26","modified_gmt":"2020-09-26T20:34:26","slug":"sample-page","status":"publish","type":"page","link":"https:\/\/evannesbitt.com\/?page_id=2","title":{"rendered":"Bio \/ Resume"},"content":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Evan Nesbitt<\/h1>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Director of Photography<\/h2>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Evan is a graduate of the Ohio Institute of Photography and Wright State University Film Program where his deep love of shooting, lighting, printing, was nurtured. Although Evan began his film-making career at the age of 13, with a stop-motion 8mm film set to Lucy in the Sky with Diamonds, as part of an early filmmakers program, in Dayton, Ohio. He continued to develop his craft by a through study of early motion picture history during his tenure with the Library of Congress inspecting, and preserving old nitrate film from such pioneers of the art as D.W. Griffith, George Melies and Thomas Edison.<\/h3>\n

Since moving to Los Angeles, in 1989, Evan has drawn inspiration and knowledge from his work with many of the preeminent cameramen in the business today including such talents as Robert Richardson,(HUGO, KILL BILL<\/em>) Michael Ballhaus, (THE<\/em> DEPARTED<\/em>) David Tattersall, (THE GREEN MILE<\/em>), Janusz Kaminski, (WAR HORSE, SCHLINDER\u2019S LIST) \u00a0<\/em>Adam Greenberg (ERASER<\/em>),<\/em> and Eric Sarrinen (COMING TO AMERICA).<\/em> Over the past twenty years Evan has worked a variety of jobs on more than fifty features films.<\/h3>\n

Nesbitt started his career as a camera assistant and camera operator before becoming a Director of Photography. An indispensable and exceptionally creative craftsman, his credits in the camera department include the feature films\u00a0\u00a0 GODZILLA<\/em>, DEEP IMPACT, X-FILES MOVIE, MEN IN BLACK, ACE VENTURA II, SPIDERMAN, HERBIE RELOADED, and YOU, ME and DUPREE<\/em>, as well at many Television shows including: “The Event”,”Scandal”,\u201cBuffy The Vampire Slayer\u201d, and \u201cThe Days and Nights of Molly Dodd\u201d.<\/h3>\n

Additionally, Nesbitt has made a name for himself in the highly specialized world of Visual Effects,where he has worked with the ground-breaking companies Industrial Light and magic, POP Films, Mass Illusion, and Jim Henson\u2019s Company. He has photographed, and supervised shots for such feature films as SPIDERMAN, BLADE, and PHENOMENON, THE GREEN MILE, X-MEN, THREE KINGS, THE PERFECT STORM, JUWANNA MAN, and MONKEYBONE<\/h3>\n

Evan, became one of the first cameramen to embrace high definition technology, specializing in bringing an extremely cinematic look and high production value to his cinematography. This Cinematic style is evident in the film: SPIRITUAL WARRIORS a feature film shot on location and lushly crafted around the backdrops of the Giza Pyramids in Egypt, Petra, Jordan and Palmyra, Syria. The film includes 250 visual effects shots, extensive green screens, and location plates which were seamlessly composited to bring a big budget look to a truly independent feature film. (www.spiritualwarriors.com<\/a>).<\/h3>\n

His unique style can also be seen on TRUE NATURE, where his use of light and shadow lends a unique tension to the film. TRUE NATURE has played at over 50 film festivals around he world, and won Best Cinematography in the Cincinnati Film Festival. \u00a0 Evan has filmed some Second Unit action sequences on GULLIVERS TRAVELS starring Jack Black. A large visual effects driven film, the first to be completely filmed uncompressed with Panavision\u2019s Genesis Camera equipped with their new solid state Flash Memory Drives (SSR2).<\/h3>\n

Evan is grateful for a\u00a0 2 week gig shooting 300 pieces of 1500 year old Peruvian Pottery for the Fowler Museum at UCLA.<\/h3>\n

http:\/\/www.fowler.ucla.edu\/collections\/andean-ceramics<\/span><\/h3>\n

Evan Directed and Shot and Edited a commercial for my Alma Mater, Wright State University, with Tom Hanks<\/strong> a spokesperson for the University.<\/h3>\n

This campaign was very successful and raised Millions of dollars for the University.<\/h3>\n

He worked with ILM and many other VFX houses for many years. He shot 2nd Unit for the United States portion of GULLIVERS TRAVELS<\/strong>, \u00a0with\u00a0Jack Black<\/strong>, for D.P. David Tattersall.<\/h3>\n

When he is not shooting, Evan is greatly in demand as one of the top Digital Imaging Technicians in Hollywood. His extensive knowledge and High Definition experience with the Sony Venice, Arriflex Alexa\/Mini, the Red Cameras, Cannon cameras and\u00a0 have enhanced many projects.<\/h3>\n

Evan worked on Joss Whedon’s Pilot, Marvel\u2019s Agents of S.H.I.E.L.D. \u00a0<\/em><\/strong><\/h3>\n

Evan is Proud to have worked on Season’s<\/strong><\/em><\/strong><\/h3>\n

1 – 8<\/strong>\u00a0 of\u00a0 the critically acclaimed<\/em><\/strong><\/h3>\n

Shonda Rhimes show: <\/em><\/strong>SCANDAL with Kerry Washinton.<\/em><\/strong><\/h3>\n

VFX plates were shot for the Robert Redford<\/strong> Feature\u00a0\u00a0 “ALL IS LOST”<\/strong>.\u00a0variety.com\/2013\/film\/reviews\/cannes-film-review-all-is-lost-1200486217<\/a><\/h3>\n

Evan also finished working with Halle Berry<\/strong>\u00a0and\u00a0Olivia Wilde<\/strong> for a Revlon Commercial.<\/h3>\n

Evan also has a 10 year career shooting Co-directing and Producing may political commercials with Bill Carrick.<\/h3>\n

Evan has worked on two campains for\u00a0 Eric Garcetti’s\u00a0 successful mayoral campaign, and re-election in 2019 in Los Angeles.<\/h3>\n

As a Director of Photography, I bring to the table 30 years of experience, from the ground up, with extensive visual effects knowledge and experience, and unparalleled Digital Imaging \u00a0Technician experience (15 years), as well as Pre, and Post Production workflow expertise.<\/h3>\n

I have worked with every camera platform, from film to 8K Digital, in the Feature, Commercial ,and Television arenas.<\/h3>\n

www.evannesbitt@me.com<\/strong><\/h3>\n

http:\/\/www.imdb.com\/name\/nm0626353\/<\/a><\/span><\/span>\u00a0<\/strong><\/h2>\n
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\u00a0<\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 EVAN NESBITT<\/strong><\/h2>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>Director of Photography<\/h2>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>323.314.5928 \/ 323.463.0476<\/h2>\n

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\u00a0<\/strong><\/p>\n

FEATURES<\/span><\/strong><\/span><\/h2>\n

GULLIVERS TRAVELS: 2nd Unit- USA Dir. Jim Rygiel <\/strong><\/h2>\n

(Lord of the Rings: Vfx Super.)<\/strong><\/h2>\n

TRUE NATURE: Dir. Patrick Steele: Film Festival Winner<\/strong><\/h2>\n

RAZOR: \u00a0Dir. James Lay<\/strong><\/h2>\n

NIC & TRISTAN Go Mega Dega: Dir. Cosmo Segurson\/\u00a0 I Directed 2nd<\/sup> Unit<\/strong><\/h2>\n

WHITE ON WHITE: Polar Bear Documentary:\u00a0 2nd<\/sup> Unit<\/strong><\/h2>\n

COMPTON XMAS TREEZ: Feature Film – 2nd<\/sup> Unit w\/Kevin Hart<\/strong><\/h2>\n

SPIRITUAL WARRIORS: Dir. David Raynr : Shot in Egypt, Syria, Jordan<\/h2>\n

EXTREME WALKING: Crow Films Dir. Wayne Pere<\/h2>\n

RONNY CAMARO: Dir: Bo Linton<\/h2>\n

SUPERCROSS: Race and Teaser footage : TAG Entertainment<\/h2>\n

PASSING DARKNESS:\u00a0 Dir. Ken Mader \/ Film Festival Winner<\/h2>\n

TELEVISION<\/span><\/strong><\/span><\/h2>\n

Short: Thank God for Murray<\/h2>\n

WRIGHT STATE UNIVERSITY: w\/\u00a0 TOM HANKS \u2013 Dir. \/ D.P. Evan Nesbitt<\/h2>\n

REP. JANE HARMAN\u2019S POLITICAL ADS:\u00a0 2 – 30 Second Spots<\/h2>\n

SKIP LIGHTNING: TV Pilot: Dir. Michael Spound \/ Starring: Sylvester Stallone<\/h2>\n

BATTLE OF THE BULGE: Discovery Channel \/ Morning Star Entertainment.<\/h2>\n

MARS AND BEYOND: Cyber Sci-fi: Episodic – Internet Series\u00a0 Dir. Herb Wright<\/h2>\n

JESSE JAMES: Discovery Channel: Morning Star Entertainment<\/h2>\n

24 Hours with David Allen Greer – Television Series – Scout Prod.<\/h2>\n

FIREBALL TIM\u2019S WORLD OF CARS: T.V. Pilot – Dir. Tim Lawrence<\/h2>\n

FENG SHUI FOR HOLLYWOOD: T.V. Pilot –\u00a0 Dir. Herb Wright<\/h2>\n

MTV: P.S.A\u00a0 “Rock the Vote:\u00a0 w \/ Coolio – Dir. Paul Robinson<\/h2>\n

SILENT WINGS: “G IS FOR GUTS\u201d: Feature Documentary – WWII Glider Pilots<\/h2>\n

Dir. D.K Heller\/ Evan Nesbitt<\/h2>\n

ORGANIC: Feature Documentary \u2013 Organic food<\/h2>\n

MUSICIAN’S ASSISTANCE PROGRAM PROMO: w\/ Ringo Starr<\/h2>\n

MAGIC AID: Hurricane Relief Benefit: Magic Castle. Dir. Jude Prest<\/h2>\n

\u00a0<\/strong><\/h2>\n

VISUAL EFFECTS<\/span><\/strong><\/span><\/h2>\n

GULLIVERS TRAVELS: VFX Unit : Ventura Ca. USA Unit<\/h2>\n

\u00a0<\/span><\/strong>X-MEN : Visual Effects Unit: \u00a0Riot Films<\/h2>\n

BLADE : Visual Effects and 2nd<\/sup> Unit :\u00a0 Numerous Vfx elements.<\/h2>\n

THE GREEN MIE: Various Vfx elements<\/h2>\n

SCORPION KING: Various Vfx elements<\/h2>\n

JUWANNA MAN:\u00a0 Visual FX Cameraman \/ VFX Supervisor<\/h2>\n

PHENOMENON:\u00a0 Vistavision \/ Opening title sequence.<\/h2>\n

THREE KINGS: Various Vfx elements<\/h2>\n

MY GIANT: \u00a0Various Vfx elements<\/h2>\n

COMMERCIALS<\/span><\/strong><\/span><\/h2>\n

\u00a0Eric Garcetti for Mayor of los Angeles- 2 Terms <\/strong><\/h2>\n

Bobby Shriver\/ Ted Liu \/ Kathryn Barger\/<\/h2>\n

Propostion H and M measure-Los Angeles<\/strong><\/h2>\n

\/Tom Hanks- WSU\/<\/strong>\u00a0Toyota \/ Nissan \/ Nationwide Insurance \/Bob Evans\/<\/strong> Ford\/Vans Shoes \/ Abita Beer\/ Brevell \/City of Vernon\/\u00a0FRS Energy Drink\u00a0 w\/ Lance Armstrong \/ Harrahs- San Diego<\/h2>\n
<\/div>\n

Click here for PDF Resume<\/span><\/a><\/span><\/h1>\n

\"\"<\/p>\n

<\/h2>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 EVAN NESBITT<\/strong><\/h1>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>Digital Imaging Technician<\/h2>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>323.314.5928 \/ 323.463.0476<\/h2>\n
<\/div>\n

FEATURE FILMS:<\/span><\/h2>\n

ALL IS LOST (US) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 D.P. Frank G. DeMarco \u00a0 \u00a0 \u00a0 Lionsgate<\/h2>\n

THE LAST GODFATHER\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 D.P. \u00a0Mark Irwin \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Lionsgate<\/h2>\n

GULLIVER\u2019S TRAVELS (US) \u00a0 \u00a0 D.P. David Tattersal \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a020th<\/sup> Century Fox<\/h2>\n

BEVERLY HILLS CHIHUAHUA \u00a0D.P. Robert Brinkman \u00a02nd<\/sup> Unit \u00a0Walt Disney<\/h2>\n

ALL\u2019S FAIRE IN LOVE \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0D.P. Mark Irwin \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0MGM Studios<\/h2>\n

Polar Bear Doc. \u00a0Arctic Circle \u00a0 \u00a0 \u00a0D.P. \u00a0Eric Saarinen<\/h2>\n

BUMPER\u00a0 \u201cGreen Screen Unit\u201d \u00a0 Dir. Enda McCallion \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 MGM Studios<\/h2>\n

BEN 10 ALIVE \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 D.P. Morgan Susser \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Cartoon Network<\/h2>\n

EPIC MOVIE \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 D.P. Shawn Maurer \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 New Regency<\/h2>\n

SPIRITIAL WARRIOR \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dir. \u00a0David Raynr \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Gilgamesh Prod.<\/h2>\n

SPECIES 3 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 D.P. Christian Sebaldt \u00a0 \u00a0 \u00a0 MGM Studios<\/h2>\n

RAZOR \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dir. James Lay \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Razor Dog LLC.<\/h2>\n

RONNY CAMARO \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Dir. Bo Linton \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Berserker Ent.<\/h2>\n

EXTREME WALKING\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0<\/strong>Dir. Wayne Pere \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Crow Films<\/h2>\n

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TELEVISION:<\/span><\/h2>\n

SCANDAL \u00a013Episodes \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0D.P. Oliver Bokelberg \u00a0 \u00a0 \u00a0 ABC<\/h2>\n

NICK STOLLER Pilot: \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0D.P. Jerzy Zielienski \u00a0 \u00a0 \u00a0 \u00a0 CBS<\/h2>\n

LITTLE IN COMMON Pilot: \u00a0 \u00a0 \u00a0 \u00a0 D.P. Rob Sweeny \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Warner Bros.<\/h2>\n

THE EVENT: 22 EPISODES \u00a0 \u00a0 \u00a0 \u00a0 \u00a0D.P. Feliks Parnell \/ Januz Kaminski-Dir.\u00a0\u00a0 NBC<\/h2>\n

UNDERCOVERS: Pilot: \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Dir: J.J. Abrahams \/ D.P. Mike Bonvillian\u00a0 Warner Bros.<\/h2>\n

THE SECRET LIFE OF AN AMERICAN TEENAGER: 2nd<\/sup> Unit \u00a0 \u00a0ABC Family<\/h2>\n

WELCOME TO THE CAPTAIN\u00a0 \u00a0\u00a0 \u00a0D.P. Anthony Hardwick \u00a0 \u00a0 \u00a0 \u00a0 \u00a0CBS<\/h2>\n

TRACEY ULLMAN (12 Episodes) D.P. Rob Sweeny \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Showtime\u00ad<\/h2>\n

SAMANTHA WHO?\u00a0\u00a0 Pilot: \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 D.P. Dave Perkel\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Disney \/ Touchstone<\/h2>\n

THE LOOP (7 Episodes) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dir. Betty Thomas\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a020th Century Fox<\/h2>\n

HELP ME HELP YOU\u00a0 Pilot: \u00a0 \u00a0 \u00a0 \u00a0 \u00a0D.P. Bobby Bukowski\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Regency Television<\/h2>\n

SKIP LIGHTNING: Pilot: \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 w\/ Sylvester Stallone \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Crystal Springs<\/h2>\n

<\/h2>\n

COMMERCIALS:<\/span>\u00a0 (<\/strong>Partial List)<\/span><\/h2>\n

Revlon w\/Halle Berry and Olivia Wilde \/ Lexus of Japan\/ Toyota\/ Eric Garcetti for Mayor\/Tom Hanks for WSU<\/h2>\n

\u00a0<\/strong>KFC w\/ Errol Morris<\/strong> \/ Expedia \/ \u00a0Tiger Woods Foundation\u00a0 <\/strong>w \/ Tiger Woods<\/strong><\/h2>\n

Huffy Bikes \/<\/strong>w\/ D.P. Dean Cundy<\/strong>\u00a0 \/ Alltel \/ Hasbro Transformers \/ Sleep Inn \/ Budweiser Light<\/h2>\n

M&M\u2019s \/ Comcast Cable \/ Disney Xtreme Digital \/ Harrah\u2019s Casino \/ Jane Harmon: 2 Spots\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/h2>\n

Hitachi 5 spots \/ Sony Handicam\u00a0 \/ Sony Blu Ray \/ Sprint PCS: 5 Spots \/ \u00a0Werthers Candy<\/h2>\n

Subaru: 6 Spots \/ Chase Financial \/ Baileys \/ Saturn \/ Jiffy Lube \/ Lincoln \/ Toyota<\/h2>\n

Charter Cable \/ Sprint \/ Dodge \/ McDonalds \/ Chevrolet<\/h2>\n

MUSIC VIDEOS:<\/span><\/h2>\n

Weird Al Yankovitch\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>Dir. Al Yankovich\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Radical Media<\/h2>\n

Crystal Method\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0Dir. Gore Verbinski \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Anonymous Content<\/h2>\n

Lizz Wright\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>Dir. Doug Biro \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mad Dog Films<\/h2>\n

Samantha Ronson \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Dir. Diane Martel\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/strong>DNA Inc.<\/h2>\n

Gwendolyn \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dir. Angela Barnes \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Planet A Films<\/h2>\n

Hot Hot Heat \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Dir. Oliver Gondry \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Partizan Prod.<\/h2>\n

<\/h2>\n

\u00a0<\/strong><\/h2>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Evan Nesbitt \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":3,"comment_status":"closed","ping_status":"closed","template":"page_full.php","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-2","page","type-page","status-publish","hentry"],"jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/P2ppPl-2","_links":{"self":[{"href":"https:\/\/evannesbitt.com\/index.php?rest_route=\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/evannesbitt.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/evannesbitt.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/evannesbitt.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/evannesbitt.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2"}],"version-history":[{"count":59,"href":"https:\/\/evannesbitt.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":1415,"href":"https:\/\/evannesbitt.com\/index.php?rest_route=\/wp\/v2\/pages\/2\/revisions\/1415"}],"wp:attachment":[{"href":"https:\/\/evannesbitt.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}